VMAF Scores: Actually Understand Video Quality Metrics

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VMAF Scores: Actually Understand Video Quality Metrics

Samuel Edwards
|
January 14, 2026

If you work in video production and marketing, you already know that pristine visuals can be the difference between an engaged viewer who sticks around and a frustrated one who bounces after five seconds. Yet “pristine” is a slippery adjective. 

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What looks fine on your calibrated studio monitor might crumble once a platform’s compression kicks in or a mobile user’s bandwidth drops. That is where objective quality metrics, especially VMAF, step in to translate subjective “looks good to me” into hard numbers you can trust.

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Why Objective Metrics Matter in 2025’s Streaming Environment

Audiences are no longer patient with buffering, blocky gradients, or muddy motion. They binge-watch in 4K HDR on living-room TVs and then continue on a crowded subway using a phone that flips from Wi-Fi to LTE every few minutes. If the visual experience stutters, so does watch time, ad revenue, and brand perception. Relying only on eyeball reviews during post-production is not enough. 

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You need a metric that: 

  • Survives real-world network conditions.
  • Predicts how humans will actually perceive quality.
  • Scales across hundreds of asset iterations. Enter VMAF.

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What VMAF Is—And Why Netflix Built It

VMAF (Video Multimethod Assessment Fusion) is a perceptual quality model released by Netflix and later open-sourced. Rather than leaning on a single algorithm, VMAF fuses multiple assessment methods, detail preservation, color fidelity, motion consistency, and so on, into one composite score from 0 to 100. The goal is a number that correlates closely with how audiences judge video quality in the wild. 

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Netflix trained the model on thousands of human ratings, refining the weighting so that a VMAF drop of ten points roughly equals “viewers start to notice, complain, or churn.”

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How VMAF Actually Calculates Quality

Under the hood, VMAF combines three established metrics, VIF (Visual Information Fidelity), DLM (Detail Loss Metric), and Motion Scores, through machine-learning regression. Each metric inspects a slightly different facet of the frame:

  • VIF focuses on fine texture and edge detail, the stuff that gives 4K its punch.
  • DLM hunts for blurring or ringing artifacts introduced by codecs.
  • Motion Scores analyze temporal smoothness, since janky pans ruin immersion even if a single frame looks sharp.

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These individual scores feed a trained model that outputs the final VMAF number. Because the algorithm compares an encoded sample to its pristine source, you get an objective gap between “what you shot” and “what the audience receives.”

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Interpreting the Numbers Without Going Cross-Eyed

A common rookie mistake is treating VMAF like a video game high score, “I must reach 100!” Realistically, anything above 95 is visually transparent for most consumers. Instead of chasing perfection, align the score with delivery goals and bit-budget.

  • 90–95: Excellent quality. Viewers on large screens stay happy, even in HDR.
  • 80–89: Good quality. Fine for social feeds, webinars, or fast-moving news content.
  • 70–79: Acceptable quality. Works when bandwidth is constrained, such as remote learning in rural regions.
  • Below 70: Noticeable degradation. Use only if the absolute lowest bitrate is mandatory.

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Remember: Context matters. A dramatic short film may deserve a 93 VMAF master, while a quick B-roll montage for TikTok can live comfortably at 82 without harming engagement.

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VMAF Score Bands
Use this as a fast “don’t overthink it” guide. The goal is appropriateness (for device + content + bitrate budget), not chasing 100.
Noticeable
< 70
Acceptable
70–79
Good
80–89
Excellent
90–94
Transparent
95+
0
70
80
90
95
100
Noticeable
< 70
Degradation is obvious (blockiness, blur, ringing). Use only when bitrate is extremely constrained and you have no alternative.
Acceptable
70–79
Works for low-bandwidth scenarios (remote learning, constrained delivery). Expect visible artifacts on large screens, especially in gradients and motion.
Good
80–89
Solid for social feeds, webinars, and fast-turn content. Most viewers stay satisfied, especially on phones and laptops.
Excellent
90–94
Premium streaming quality for most consumer screens. A good target range for flagship content when budgets are finite.
Transparent
95+
Visually “near-source” for most viewers. Beyond this, extra bitrate often buys tiny gains—look for diminishing returns.

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Putting VMAF into Your Post-Production Workflow

Adopting VMAF is less daunting than it sounds. The toolkit is open source, command-line friendly, and compatible with FFmpeg. A typical pass looks like this:

  1. Export a mezzanine file, the highest-quality master, from your NLE.

  2. Encode test renditions at candidate bitrates and resolutions.

  3. Run VMAF comparisons between each rendition and the mezzanine.

  4. Plot the bitrate versus VMAF curve to find the “sweet spot” where further bitrate increases deliver diminishing visual returns.

  5. Bake those settings into your transcode ladder or ad-platform specs.

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The upshot is fewer guess-and-check rounds and more data-driven confidence when a client demands, “Make the file smaller, but don’t let it look worse.”

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VMAF Beyond the Lab: Real-World Wins

Brands using adaptive streaming report clear efficiency gains after weaving VMAF into their encoding decision trees. One sports network trimmed 30 % off average bitrates, saving millions in CDN fees, while keeping VMAF above 92 for flagship events. 

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A fitness-app studio discovered most users watched on phones, so it safely lowered 1080p bitrates to 4 Mbps once VMAF proved quality held at 91. Case studies like these show that the metric isn’t academic; it directly impacts budgets and brand reputation.

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Limitations and Complementary Checks

No metric is a silver bullet. VMAF currently assumes the reference source is perfect, so it cannot warn you about problems baked into the master (for instance, noise or banding from camera settings). 

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HDR workflows present additional wrinkles because human perception of brightness isn’t linear. Dolby and Netflix have released HDR-VMAF profiles, but always pair them with hand-eyed reviews, especially for high-nit highlight rolls.

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Keep a sanity checklist alongside VMAF:

  • Watch critical scenes on multiple devices, OLED TV, mid-range phone, laptop LCD.
  • Toggle subtitles, graphics, and lower-third overlays to catch edge artifacts VMAF might ignore.
  • Use audio QC tools to verify sync; a perfect picture means little if the announcer’s lips lag.

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Blending VMAF with a Holistic Quality Culture

Ultimately, VMAF shines brightest when embraced by the entire video production and marketing chain, from cinematographers who capture clean source footage, to editors who avoid unnecessary re-renders, to encoding engineers who fine-tune ladders, and finally to marketing leads who need proof that the content will look superb on any platform. 

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Turning quality from a gut feel into a measurable KPI unites departments that once spoke different dialects, swapping the vague “Looks kind of soft?” for “We slipped from 92 to 87 VMAF after adding graphics; let’s revisit the alpha channel settings.”

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Team / Role What They Own How VMAF Helps (Concrete Moves) Signals to Watch
Capture / Cinematography
Source cleanliness and consistency (the “reference” quality).
Lighting, exposure, noise, motion handling
Minimizing banding and compression-unfriendly textures
Sets a measurable baseline (clean sources keep downstream scores stable)
Helps justify capture choices that reduce “future bitrate tax”
Noise / grain spikes Banding risk High-motion scenes
Editing / Post-Production
Re-renders, graphics overlays, and master integrity.
Avoiding unnecessary transcodes
Graphics, titles, alpha channel handling
Catches quality regressions after edits (before final delivery)
Quantifies impact of overlays (e.g., “we dropped from 92 → 87 after graphics”)
VMAF deltas per revision Ringing / blur Text edge artifacts
Encoding / Delivery Engineering
ABR ladders, codec settings, and cost-quality tradeoffs.
Bitrate allocation across renditions
Device and network realities
Finds the “knee” where more bitrate stops paying off
Standardizes acceptance thresholds per platform and content type
Bitrate ↔ VMAF curve Motion-heavy failures HDR profile needs
QA / Device Lab
Real-device checks and “humans-in-the-loop” validation.
Spot checks on TVs, phones, laptops
Edge cases VMAF can miss (subtitles, overlays, UI)
Uses VMAF to triage what needs eyes first
Pairs metrics with subjective checks to prevent “metric-only blind spots”
Subtitle/overlay artifacts Banding in gradients Sync sanity checks
Marketing / Stakeholders
Performance goals and “proof” for quality choices.
Brand perception, watch time, ad performance
Negotiations on file size vs quality
Replaces “looks fine” debates with KPI targets (“keep hero assets ≥ 92”)
Supports cost savings without quality collapse (CDN/bitrate budgeting)
Target VMAF by tier Watch-time changes Complaint rate
Simple operating rule: Treat VMAF as a shared language, not a lone judge. Use it to detect regressions, compare encodes, and standardize targets—then confirm with fast device spot checks on the scenes that matter most.

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Key Takeaways for Teams Ready to Dive In

  • VMAF is a perceptual, open-source metric that predicts real audience satisfaction.
  • Scores above 90 are usually transparent; chase appropriateness, not perfection.
  • Integrate VMAF early, during test encodes, so you fix issues before final delivery.
  • Pair metrics with human eyes and device-lab spot checks.
  • Use data to negotiate smarter with CDNs and ad platforms, trading surplus bitrate for cost savings without hurting quality.

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Quality is no longer an abstract aspiration. With VMAF in your toolkit, you can measure, optimize, and brag with data to back it up. That confidence frees your creative team to push boundaries, secure in the knowledge that the story you crafted lands on viewers’ screens exactly the way you imagined.

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Author

Samuel Edwards

Chief Marketing Officer

Throughout his extensive 10+ year journey as a digital marketer, Sam has left an indelible mark on both small businesses and Fortune 500 enterprises alike. His portfolio boasts collaborations with esteemed entities such as NASDAQ OMX, eBay, Duncan Hines, Drew Barrymore, Price Benowitz LLP, a prominent law firm based in Washington, DC, and the esteemed human rights organization Amnesty International. In his role as a technical SEO and digital marketing strategist, Sam takes the helm of all paid and organic operations teams, steering client SEO services, link building initiatives, and white label digital marketing partnerships to unparalleled success. An esteemed thought leader in the industry, Sam is a recurring speaker at the esteemed Search Marketing Expo conference series and has graced the TEDx stage with his insights. Today, he channels his expertise into direct collaboration with high-end clients spanning diverse verticals, where he meticulously crafts strategies to optimize on and off-site SEO ROI through the seamless integration of content marketing and link building.

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